STEPHANIE ROBISON
CV
Solo and Two-Person Exhibitions:
2023 Dialogues, Cabrillo Gallery, Aptos, California
2022 Close Contact, Marrow Gallery, San Francisco California (solo)
2022 Featured Works, Robischon Gallery, Denver, Colorado
2021 Playground, Marrow Gallery, San Francisco, California
2019 Unconventional Relationships, San Jose City College, San Jose, California (solo)
2016 Cloud Construction, San Francisco Arts Commission Window Project Space, San Francisco, California. (solo, site-specific installation commissioned by the San Francisco Arts Commission)
2015 Light and Heavy, C2C Project Space, San Francisco, California (curated by Kirk Stoller)
Pods, Scarlet City Espresso Bar, Emerville, California. (solo, site-specific installation)
2009 The 9th Northwest Biennial, Tacoma Art Museum, Tacoma, Washington. (site-specific installation commissioned by Rock Hushka & Alison de Lima Greene)
2008 Sightlines, The Art Gym, Marylhurst University, Marylhurst, Oregon. (curated by Terri Hopkins)
Roadside Attraction, Autzen Gallery, Portland State University, Portland, Oregon.
2007 Water Landing, Tilt Gallery and Project Space, Portland, Oregon. (solo, site-specific installation)
Designated Landmarks, Form/Space Atelier, Seattle, Washington.
2006 Blue Frontier, Portland Modern Window Project, Portland, Oregon. (solo)
Paper Fences, Tilt Gallery and Project Space, Portland, Oregon. (solo)
Sculpture and Drawing, Mayer Gallery, Marylhurst University, Marylhurst, Oregon. (solo)
2004 Stuffed, Nine Gallery, Blue Sky Gallery, Portland, Oregon. (solo)
Selected Group Exhibitions:
2023
Water, Foster/White Gallery, Seattle, Washington
2022
Nothing Goes to Waste, Houston Center for Contemporary Craft, Houston, Texas (curate by Kathryn Hall)
2021
Emergence, Virtual Exhibition, Pacific Northwest Sculptors, (juried by Richard Speer, 1st place)
Phantom Haptics, Friend of a Friend Gallery, Denver, Colorado
In Residence: 14th Edition, Asher Gallery, Houston Center for Contemporary Craft, Houston, Texas
55th Annual National Drawing and Small Sculpture Show, Joseph A Cain Memorial Art Gallery, Del Mar College, Corpus Christi, TX (Juried by Robbie Barber)
34th Annual Materials: Hard + Soft, Greater Denton Arts Council, Denton, Texas (juried by Pablo Barrera)
2020
Fragments, Arc Gallery, San Francisco, California (juried by Jen Tough)
American Contemporary Craft: A National Juried Exhibition (juried by Kathryn Gremley, Gallery Director, Penland Gallery, Penland School of Craft, 2nd place)
Fantastic Fibers 2020, Yeiser Art Center, Paducah, Kentucky (juried by Amy Meissner)
33rd Annual Materials: Hard + Soft, Greater Denton Arts Council, Denton, Texas (juried by Beth McLaughlin of the Fuller Craft Museum
2019
Fresh Art, Marin Society of Artists, San Rafael, California (juried by Donna Seager of Seager Gray Gallery, 3rd place)
Small and Smaller, Site:Brooklyn Gallery, Brooklyn, New York (Curated by Heather Darcy Bhandari)
Built Environments, SFSU Fine Arts Gallery, San Francisco, California (curated by Sharon E. Bliss & Kevin B. Chen)
Craft Revolution, Orange County Center for Contemporary Art, Santa Ana, CA (juried by Staci Steinberger)
2018
Sculpture Now, Peninsula Museum of Art, California, Burlingame, California (juried by Brigitte Micmacker)
4th Annual Colorful Abstractions International Art Exhibition, Fusion Art, Palm Springs, California (2nd place Sculpture)
2017
AbstrAction, Marin Museum of Contemporary Art, Novato, California (juried by Catherine Clark)
Renegade Fibers, Marin Museum of Contemporary Art, Novato, California (juried by Richard Elliot)
Focus on Fiber, Sacramento Fine Arts Center, Carmichael, California
2016
Sculptfest, Carving Studio & Sculpture Center, West Rutland, Vermont
10 x 10 x 10, Tieton Arts and Humanities, Tieton, Washington
2015
C2C Project Space room, Satellite Art Fair held concurrently with Art Basel, Miami, Florida
Trending: Contemporary Art Now, Target Gallery, Torpedo Center, Alexandria, Virginia
Switch & Show, Coastline Art Gallery, Newport, California and City Arts Gallery, San Francisco, California
Hard Art is Sometimes Soft, The Frank Art Organization, Redwood City, California (curated by Tara de la Garza)
Bellingham National 2015 Exhibition, Whatcom Museum, Bellingham, Washington.
20 Cubed, Platz Gallery, Southwest University of Visual Art, Albuquerque, New Mexico
Heft, Kala Art Institute Off-Site Exhibitions, Berkeley Central Arts Passage, Berkeley, California (curated by Amanda Curreri)
2014
Here and Now: Faculty Exhibition, City Arts Gallery, San Francisco, California
Harvest Inn Inaugural Outdoor Sculpture Exhibition, Harvest Inn, Saint Helena, California
Inspire Artists Who Inspire You, ProArts Gallery, Oakland, California
Glued, Plunkett Gallery, Mercer University, Macon, Georgia and 4Most Gallery, University of Florida, Gainesville, Florida
2013
Compass: Navigating the Journey to Self-Identity, Orange County Center for Contemporary Art, Santa Ana, California (juried) “catalogue”
Risk, Berkeley Art Center, Berkeley, California.
2012
The Big Idea, Peter Robertson Gallery, Edmonton, Alberta, Canada. (juried)
2011
Go Ahead…Touch Me, Manifest Creative Research Gallery & Drawing Center, Cincinnati, Ohio. (juried)
Curated Artist Registries:
2021 – 2024 Alameda County Arts Commission Artist Registry, California
2008 - 2018 Public Artist Roster, Washington State Arts Commission, Olympia, Washington
Selected Bibliography:
· DeWitt Cheng, “Stephanie Robison”, Visual Art Source, February 2022
· Jane Durrell, Review, “Go Ahead…Touch Me”, Sculpture Magazine, December 2011.
· Tim Parsley, “Go Ahead…Touch Me,” Manifest Catalogue V56, Manifest Gallery, August-September 2011.
· The 10th International Shoebox Sculpture Exhibition Catalogue 2009, University of Hawaii Art Gallery.
· Rock Hushka, “This Place This Time,” The 9th Northwest Biennial Catalogue, Tacoma Art Museum, January 2009.
· Jen Graves, “Tacoma Art Museum’s Northwest Biennial,” The Stranger, Seattle, Washington, January 30, 2009.
· Alex Rauch, “.meta-resolution,” PORT, www.portlandart.net, Portland, Oregon, November 12, 2008.
· John Motley, “TJ Norris’ Complicated Curation”, The Portland Mercury, Portland, Oregon, October 30, 2008.
· John Motley, “Renegotiating Space with Volume”, The Portland Mercury, Portland, Oregon, September 4, 2008.
· D.K. Row, “’Sitelines’ and ‘Why and the Why Not’,” The Oregonian, Portland, Oregon, April 18, 2008.
· Richard Speer, “Installation Situation,” Willamette Week, Portland, Oregon, April 16, 2008.
· John Motley, “Roadside Attraction,” The Portland Mercury, Portland, Oregon, March 6, 2008.
· Richard Speer, “First Thursday in review: Art-chitecture?”, Willamette Week, Portland, Oregon, June 16, 2007.
· Arcy Douglass, “Off the Plane and into Space: THE HOOK UP,” PORT, www.portlandart.net, Portland, OR, June 15, 07.
· John Motley, “The Hook UP”, The Portland Mercury, Portland, Oregon, June 7, 2007.
· Vanessa Harless, “Water Landing,” PDX Magazine, Portland, Oregon, February, 2007, 49.
· Jeff Jahn, “ESL and café’s 1, would be institutions 0,” PORT, www.portlandart.net, February 13, 2006.
· John Motley, “Stephanie Robison,” The Portland Mercury, Portland, Oregon, February 9, 2006.
Recent Awards, Grants, Fellowships:
2021 Fully funded, three-month residency at Houston Center for Contemporary Art
2016 Fully funded, one-month Residency at The Carving Studio and Sculpture Center, Rutland, Vermont.
Professional Organizations:
California Sculptors Symposium
Northwest Stone Sculptors Association
Recent Visiting Artist Lectures, Presentations and Workshops:
2022
2021 Houston Center for Contemporary Craft, Houston, Texas
Artist lecture, Utah Valley University, Utah
2019
Lecture and workshop, Southern Utah University, Cedar City, Utah
Lecture and stone carving demo, San Jose City College, San Jose, California
2018
Beginning Stone Carving, Northwest Stone Sculptors Association, Suttle Lake, Oregon
Merging Materials Workshop, Carving Studio & Sculpture Center, West Rutland, Vermont
2017
Lecture and stone carving demo, San Jose City College, California
2016
Lecture, Carving Studio & Sculpture Center, West Rutland, Vermont